Cale is running illegal drug tests to perfect an enhancement drug.
Phil, and Alan Dershowitz, waving around a copy of the Constitution - provide commentary on the mystery Wonder Woman is solving. Only Christian Grey has a multi-million-dollar company that makes less sense, and Kelley’s pilot forces Diana Themyscira to yawn through a board meeting about Wonder Woman’s foot-tall rendering before shouting at Cary Elwes that she never said it was okay for the company to “merchandise her tits.”Ī Greek chorus of pundits - Nancy Grace, Jeffrey Toobin, Dr. Themyscira Industries is apparently a successful toy company that gets all its revenue from Wonder Woman merchandising, mainly dolls with big boobs. Everyone knows Themyscira is Wonder Woman Prince is the secret identity here. Palicki juggles three identities: Diana Themyscira, CEO of Themyscira Industries, who is openly known to be the crime-fighting Wonder Woman, and lives secretly as Diana Prince, a red-wine-sipping cat lady hiding behind bad bangs and worse glasses. (There’s an Abu Ghraib joke in the first five minutes.) The tone is stiff and awkward. From top to bottom, lasso to cuffs, it’s a mess. The reason Kelley’s pilot wasn’t picked up by NBC isn’t a great unsolved mystery.
Her nemesis is Veronica Cale (Elizabeth Hurley), a pharmaceutical CEO who’s up to no good. It never went anywhere, and even Kelley admitted it “made mistakes.” He imagined Wonder Woman not as fun but frustrated: As a vigilante she’s irritated by the confines of the criminal justice system, as a normal woman she’s lonely. After Lynda Carter and before Gal Gadot, the Friday Night Lights star slipped into Wonder Woman’s red bustier and blue hot pants to fight crime in Los Angeles, for an NBC pilot written by Ally McBeal creator David E. Adrianne Palicki is the Wonder Woman we don’t talk about.
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