The result is a synth that really does reach unprecedented heights in sound quality for a virtual instrument, but gives your computer a thorough workout getting there. When I visited Native's headquarters in August, Massive 's Product Manager told us that their top priority was to take a leap in sonic quality, even if this meant pushing even recent computers to their limits. But where Massive really aims to plant its flag is on the high-ground of sound quality. However, the sound generation technique is not the main area where the synth aims to break new ground.įirstly, Massive has been designed to pack an unusually large number of highly versatile modulators into a fast and understandable user interface. Wavetable synthesis is seeing a resurgence in popularity lately, and Massive 's oscillators are some of the best implementations of the concept I've seen. Massive is a semi-modular wavetable synthesizer with lots of routing flexibility and a wealth of modulation and control options. In order to catch up with them, we're going to look at not only their brand-new stand-alone synth, Massive, but also at the lastest versions of Absynth and the sucessor to FM7, FM8 - and we'll take a quick look at Kore v1.1 and the contents of Komplete 4.
Fm8 reviews software#
Native Instruments have been one of the most prolific music software developers in recent times, but even by their own standards they've been particularly busy lately. Is Native Instrument's new stand-alone soft synth as big as they say it is?
A 16-step Performer module, with two crossfading modulation sequences.
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